In the screenshot above, you can see Channel 1 is set to 127, Channel 2 is set to 100, and Channel 3 is set to 60.Even with proper programming technique, performance issues can still arise when using multitimbral instances of Kontakt in MainStage. A workaround is to use the expression dial at the top of the channel strip to balance volume. Thus, moving the volume fader on the alias for Channel 1 will have the same effect on Channel 3. Multiple aliases of the channel strip located within one patch are globally affected by the volume fader. In other words, the left-most alias is Channel 1, the middle alias is Channel 2, and the right-most alias is Channel 3. For example, I always use ascending MIDI channels from left to right. Stay organized by sticking to a single protocol and workflow. This means it’s not possible to give different names to the channel strips in the above screenshot. Keep in mind a channel strip’s name and color apply to all aliases. In the third channel strip, map the KEYBOARD to MIDI Channel 3.In the second channel strip, map the KEYBOARD to MIDI Channel 2.In the first channel strip, map KEYBOARD to MIDI Channel 1.To transmit MIDI data to different channels from MainStage to Kontakt, navigate to the MIDI Input tab in the** Instrument Channel Strip Inspector**. Layer Session Horns Pro from the bottom of the keyboard to B2.Layer String Ensemble Essential from C3 to the top of the keyboard.Layer Alicia’s Keys and Straight Analog across the whole keyboard.Session Horns Pro is receiving on Channel 3.String Ensemble Essential is receiving on Channel 2.Alicia’s Keys and Straight Analog are receiving on Channel 1.Alias the channel strip, and configure multitimbral settings to address different sounds in the instance of Kontakt. Create a SOUNDS folder with a software instrument channel strip containing a “Kontakt bank,”.One four-part multitimbral instance of Kontakt.Ī keyboard transmitting MIDI data to one multitimbral instance of Kontakt over four MIDI channels. Instead of loading sixteen separate instances of Kontakt to host sixteen sample libraries, it’s much more efficient to address sixteen sample libraries in a single instance of Kontakt over sixteen MIDI channels.īelow are two diagrams. In practice, multitimbrality is a very powerful concept. Software instrument channel strips in MainStage are 16-part multitimbral. This is typically achieved by sending the same control information (note on, note off, etc.) to different tone generators or oscillators via MIDI channels. In electronic music, multitimbrality refers to a synthesizer’s ability to produce more than one sound or timbre at any given time. With that said I don’t recommend this method because as a programmer, one should always strive for resource optimization. In the example below, I’ve created two channel strips - one for piano (The Gentleman), and one for strings (NI String Ensemble).Ī setup like this is perfectly fine for small concerts with minimal usage of Kontakt libraries. In other words, each MainStage channel strip is dedicated to one specific Kontakt sound library. The simplest way to use Kontakt with MainStage is creating an individual instance for each sound. For each method, I’ll present an in-depth walkthrough followed by its pros and cons. In this tutorial, you’ll learn about four different ways to use Kontakt with MainStage. Google “Kontakt with MainStage,” and you’ll be bombarded with dozens of support threads without any real solution. If you do, Logic Pro and MainStage won't be able to find the Sound Library.Apple MainStage and Native Instruments Kontakt have a history of not getting along with each other. If you have more than one Mac running Logic Pro or MainStage, each Mac needs its own Sound Library.ĭon't rename the external drive after you've moved your library. You can't share a Sound Library between Mac computers. If you get an error that says content can't be relocated, give Logic Pro access to your external drive. A notification appears when the Sound Library has moved. In the window, select the drive where you want to store the Sound Library, then click Relocate.Open Logic Pro, then choose Logic Pro > Sound Library > Relocate Sound Library, or MainStage > Sound Library > Relocate Sound Library.Make sure you're logged in to your Mac as an administrator.You can move the Sound Library to an external drive from Logic Pro or MainStage. You can store libraries on an external storage device such as a Thunderbolt drive, a USB drive, or a FireWire drive formatted as APFS or MacOS Extended (Journaled). You can’t store your library on an external drive or other disk used for Time Machine backups.
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